When Doors Are Traps

 Cover of Trap Door: Trans Cultural Production and the Politics of Visibility, edited by Reina Gossett, Eric A. Stanley, and Johanna Burton.

Cover of Trap Door: Trans Cultural Production and the Politics of Visibility, edited by Reina Gossett, Eric A. Stanley, and Johanna Burton.

Coming this November, the new chapter in New Museum’s critical anthologies in art and culture series. 

New Museum, the only space in New York dedicated solely to contemporary art, is seriously delving into art and culture studies. Coming this November, Trap Door: Trans Cultural Production and Politics of Visibility is the third installment in the series. It follows the publication of Mass Effect, and Public Servants, which explored the relations between art and the internet and the crisis of common good. 

Edited by Reina Gossett, Eric A.Stanley, and Johanna Burton, Trap Door gathers essays, conversations, and dossiers, themed as beauty, performativity, activism, and police brutality. The publication ignites a conversation that extends beyond trans culture.

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今年11月,在新博物馆艺术与文化系列的重要选集中出现了新的篇章。

新博物馆是纽约唯一一个专门致力于当代艺术的空间,正深入钻研艺术和文化研究。今年十一月,陷阱门:跨文化生产与政治能见度是该系列的第三部分。随着质量效应和公事员的出版,探索了艺术与互联网的关系以及公共利益的危机。

由Reina Gossett、Eric A. Stanley、Johanna Burton等人编著,陷阱门收集了散文、对话和档案,主题涵盖美、表演、行动主义以及警察暴行等。该出版物引发了一场超越跨文化的对话。

The Maker